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Alleluia and Fugue, Op. 40b |
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and |
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Prayer of Saint Gregory |
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Standing waves |
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Basics |
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Frequencies and wavelengths |
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Longitudinal waves |
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Complex Waves |
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Timbre |
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Produced when incident and reflected waves interfere. |
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Principle of superposition. |
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There is no apparent motion along the direction
in which the two individual waves move. |
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Since |
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f =
v/l then |
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fn = n(v/2L) |
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Transverse standing waves |
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A series of frequencies in which all members are
an integral multiple of the lowest frequency |
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The lowest frequency is called the
fundamental
frequency
or
first harmonic. |
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The higher frequencies are called the
second
harmonic,
third harmonic,
fourth harmonic, etc. |
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f2 = 2f1 |
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f3
= 3f1 |
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f4 = 4f1 |
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etc. |
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Harmonics above the first are also called overtones. |
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Tube Open at Both Ends: |
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ln = 2L/n |
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fn
= nf1 |
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Tube Closed at Both Ends: |
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(same as rope - fixed ends) |
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ln = 2L/n |
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fn
= nf1 |
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Tube Closed at One End: |
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ln = 4L/(2n-1) |
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fn = (2n-1)(v/4L) |
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Tube Closed at One End: |
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f2 = 3 f1 |
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f3 = 5 f1 |
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f4 = 7 f1 |
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Created when frequencies which are members of a
harmonic series are added. |
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When waves whose frequencies are members of a
harmonic series are added, the frequency of the resultant wave is always
the same as that of the fundamental. |
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Missing
Fundamental |
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(virtual pitch) |
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Track 37. |
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Virtual Pitch with Random Harmonics |
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Track 43-45 |
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Any periodic wave of frequency f1 can
be produced by adding together sine waves of frequency f1, 2f1,
3f1, 4f1, 5f1, etc. |
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Any periodic wave of frequency f1, no
matter how complex, can be broken down into sine waves of frequency f1,
2f1, 3f1, 4f1, 5f1, etc. |
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The set of sine waves that make up a complex
wave are called the complex wave’s Fourier
Components. |
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A listing of the amplitudes of each component in
either tabular or graphical form |
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The different combinations of harmonics gives
different qualities or timbers to sounds. |
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The Effect of spectrum on timbre |
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Track 53 |
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III-6 Vibrations on a Guitar String |
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III-7 Fourier Analysis and Synthesis |
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Any periodic wave of frequency f1 can
be produced by adding together sine waves of frequency f1, 2f1,
3f1, 4f1, 5f1, etc. |
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Any periodic wave of frequency f1, no
matter how complex, can be broken down into sine waves of frequency f1,
2f1, 3f1, 4f1, 5f1, etc. |
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The pitch we hear always corresponds to that of
the fundamental frequency. |
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