Notes
Outline
Igor Stravinsky
(1882 –1971)
The Firebird
Slide 2
Musical Notation
High or Low?
Long or Short?
Loud or Soft?
Fast or Slow?
Accented Notes?
Pitch - High/Low
Staff
Pitch - High/Low
Clef
Treble:             Bass:
Notes
Pitch - High/Low
Pitch - High/Low
Pitch - High/Low
Dynamics - Loud/Soft
p (piano) = soft
f (forte) = loud
m (mezzo) = half, medium
Dynamics - Loud/Soft
ff        fortissimo          very loud
f         forte                   loud
mf      mezzo forte       medium loud
mp     mezzo piano     medium soft
p        piano                 soft
pp      pianissimo         very soft
Dynamics - Loud/Soft
crescendo = gradually louder
decrescendo or diminuendo = gradually softer
Tempo - Fast/Slow
Varies from approximately 30 - 240 beats per minute
Tempo - Fast/Slow
Largo          broad                   43-47
Adagio        slow                     52-58
Andante      medium slow       59-66
Moderato    moderate             77-89
Allegro        fast                   106-119
Vivace        lively                 120-138
Tchaikovsky
(1840 - 1893)
Selections from
Nutcracker Ballet
Tempo - Fast/Slow
ritardando = rit. =
 gradually slower
accelerando  = accel. = gradually faster
Duration - Long/Short
Noteheads - Whole Notes
Stems
Flags
Beams
Dotted Notes
Rhythm
Involves pulse, meter, tempo, and note values
Meter
The combination of strong and weak pulses form a recurring pattern known as meter.
Types of Meter
Duple: ONE - two, etc.
Triple: ONE - two -three, etc.
Quadruple: ONE -two-three-four, etc.
Bars or Measures
Music is divided into bars or measures by means of vertical lines called barlines.
Time Signature
A notation placed at the beginning of a composition
Time Signature
Indicates the number of beats per measure and the type of note receiving the beat.
Meter
Usually the first beat of each measure is the strongest.
Two Terms
Hemiola – Shifting of the accent pattern from what is expected.
Syncopation – Emphasis on the normally weak beats.
Demo
Various time signatures and meters.
Melody
A group of tones sounded in sequence that together make a meaningful whole
Melody
Melody is the horizontal component of music
Melody
Jingle Bells
Harmony
Results from the simultaneous occurrence of musical tones
Harmony
Harmony is the vertical
component of music
Chord
Three or more notes sounded simultaneously
Harmony
Consonance
“Pleasing” Harmony
Dissonance
“Harsh” Harmony
Homophonic
One part (usually the highest) predominates
The purpose of the remaining parts is to provide the harmony
Polyphonic
Characterized by the interweaving of two or more melodically and rhythmically indepen-dent parts
Scales
A series of tones within an octave arranged in either ascending or descending order
Scales
How many tones?
Chinese = 5
Arabs = 17
Indians = 22
Western music = 12
Chromatic Scale
Consists of all the notes on a piano (black and white) within an octave
Semitone (Half Step)
The pitch difference or interval between any two adjacent notes on a piano.
Tone (Whole Step)
  The pitch difference or interval between any two adjacent white notes separated by a black note on the piano, or two semitones.
Sharps and Flats
Used to identify the black notes on the piano
Sharps
Function - Raises desig-nated note by a semitone
Symbol - #
Direction - “Play the black note to the right”
Flats
Function - Lowers desig-nated note by a semitone
Symbol -
Direction - “Play the black note to the left”
Sharps and Flats
Key Signature
Used when one or more notes are always either sharp or flat throughout a composition
Placed on the staff at the beginning
Key Signature
Naturals
Function - Cancels a flat or sharp sign
Symbol -
Direction - “Play the white note instead of the black”
Factor for Octaves
The factor for octaves is 2
Hear pitch in ratios
Factor for Semitones
The factor for semitones is Ö2  » 1.059463...
Intervals
Unison
Octave
11 intervals in between
Table 10.3 in text